Words by Matthew Horton, Tim Chester, Priya Elan. What'd I Say - Ray Charles 4. ‘Willie And The Hand Jive’ is that old staple, a tie-in with a dance craze, but was fresh and vital enough to crack the US top 10. It’s also been covered by constipated ersatz soul bellower Michael Bolton, so is clearly indestructible. He left behind this delicate ballad – reputedly the first record Paul Simon ever bought – that lives on in 50s-fuelled movies like Stephen King’s Christine and, of course, Back To The Future. Dad of cult funk artist Shuggie, Johnny Otis was a bandleader and multi-instrumentalist who spent as much time discovering and nurturing new talent – Etta James for one – as making his own records. It’s hard to believe but this track, Ray Charles’ first gold record, the one he finished every set with, one of the cuts that’s credited as kick-starting a small genre known as soul, a frisky nugget currently residing in the national recording registry, started life as an improvised thing at the end of a set. Its skittering groove would underpin many of rock’n’roll’s dancefloor cuts, most dubiously Jive Bunny’s 1988 megamixes where the Big Bopper’s “Ooh, baby, that’s what I like!” provided regular punctuation. Parping sax and handclaps drove a kinetic track that earned a reputation as a crucial bridge between black music and white audiences, and it remains the calling card of a band that endures with Speedoo Carroll still upfront. Johnny B. Goode - Chuck Berry 2. Sonia also did a version in 2010, but the less said about that the better. She’d actually written the mesmeric ‘Freight Train’ when she was 12 – after 50 years in mothballs, it was soon covered by artists including country star Chet Atkins and folkie Joan Baez. Where the sound of street doo-wop met rock and roll, the precocious Harlem teen Lymon and his vocal harmony group The Teenagers sang with the type of honesty about teenage love angst which that only a (then) 15 year old could have known about . A brilliantly constructed couple of minutes it weaves frenetic harmonies, time signature changes and varied dynamics to irresistible effect. Makes you proud to be human. Marvin Junior’s baritone plays off Johnny Carter’s falsetto to form an easy, woozy slice of doo-wop that The Dells would revisit later, a 1969 soul re-tooling proving most successful. https://www.youtube.com/watch?v=MQ2IJQy4iuM. Find album reviews, stream songs, credits and award information for 100 Greatest 50s & … The rest is, as you know, history. Almost krautrock in its relentless, headlong rhythm, Little Richard’s ‘Lucille’ showcases the flamboyant rock’n’roll pianist at his blistering best. Backed by ‘Hound Dog,’ the track became one of the biggest sellers of his career. The Greatest of All-Time Billboard Hot 100 Songs and Artists rankings are based on weekly performance on the Hot 100 (from its inception on Aug. 4, 1958, through July 21, 2018). It took a claymation video to finally shoot ‘Reet Petite’ to the top of the UK charts at the end of 1986, at that point setting a record for longest gap between release and hitting No.1. Little Richard’s best track was revolutionary in terms of how it shaped rock and roll, not just in musically but in its pioneering use of double entendre. Related Articles. Written as a pledge of marital devotion and penned as a ballad, it was producer Sam Phillips who suggested the breezy, arrangement. ‘Pledging My Love’ was a posthumous hit for Ace who weeks earlier had suffered the ultimate rock’n’roll demise, shooting himself in a blitzed round of Russian Roulette. A showy and expansive number, ‘The Great Pretender’ inevitably found favour with Freddie Mercury who once more took it into the UK top 5 in 1987, out-camping The Platters no doubt but possibly not wringing out similar emotion. 20 Biggest Songs of the Summer: The 1950s From mambos to the birth of rock, the best songs for hitting the drive-thru in the warmer months 1 "Smells Like Teen Spirit" by Nirvana. Songs about specific dances comprise the majority of this list; songs on the subject of dancing are also included. For Ray, ‘Cry’ was the start of a long, successful career in music and film. that appeared on her debut album but only made megahit status when it was used for a 1987 Chanel No.5 advert. Here are the top 100 tracks from the decade that that sparked a musical revolution. Recorded when the remarkable Anka – who also managed to co-write it – was only 15, this perky slice of doo-wop turned into one of the biggest selling singles of all time, apparently shifting nine million units. A cover of the bluesy Big Mama Thornton track, Elvis changed the track into hip-swiveling pound of rolling drums and grinding guitars that set teenage girls alight and made parents blush. It was a beautiful duality. From big band tracks to jazz standards, until midway through the 20th century, music was a resolutely parent-friendly zone. A sweet love letter to his darling full of earnest sentiment and unashamed admiration, this beautiful track saw Cooke shift from his gospel roots to a more soulful direction. Let us know what your favorite acoustic guitar song is! Whether you’re looking for a famous song to learn on guitar or want to discover some of the best players of all time, this list will point you in the right direction. https://www.youtube.com/watch?v=LGI4PgAHxtg. var viewportWidth = $(window).width(); Almost from the get-go it established the Canadian Anka as a mainstream crooner who continues to record and perform into his 70s. https://www.youtube.com/watch?v=XEl3UUl1Fmw. By Tim Chester. Nina Simone’s hepcat jazz cut was a cover of a number from the 1930 musical Whoopee! The 1950s marked the birth of rock’n’roll. But then everything changed. A meld of baby rock’n’roll and doo-wop, The Cadillacs’ ‘Speedoo’ was so called after their lead singer Earl Carroll’s nickname. One of the earliest records to explore distortion and feedback it’s also the song that invented the power chord, ensuring Townshend and Blackmore are forever in his debt. It was co-written by nominal lead singer Pookie Hudson and Calvin Carter and its “doh-doh-doh” vocal rhythms often rear up on other records, including Pete Wingfield’s 1975 pastiche ‘Eighteen With A Bullet’ featured on the Lock, Stock And Two Smoking Barrels soundtrack. This was the first version, and inspired no less than six covers within a month of its release. This article is about the US number-one songs chart from 1950–1958.. Plundering the early blues catalogue – notably Lil’ Son Jackson’s ‘Rockin’ And Rollin” – for inspiration, King created his own standard, his chiming guitar a hypnotic groove. Reed’s pure voice and persuasive playing had a deep impact on the approaching rock’n’roll boom, particularly The Rolling Stones who covered ‘Honest I Do’ on their 1964 debut album. A perennial blues fave, ‘Don’t Start Me Talkin” was a self-penned hit for Williamson and housed a who’s who of blues heavyweights in its credits, including Willie Dixon on bass and Muddy Waters on guitar. Top songs of the 1950's is updated by the minute by Gigbuilder - The world's most popular … 0-8230-7646-6 This list is odd. An early work of rock genius. Where’s it coming from? It peaked at a modest 59 on the Billboard chart but registered 200,000 sales. Covered hundreds of times, from B.B. Songs are ranked based on an inverse point system, with weeks at No. Making influenza catchy since ’57. As a neat summary of rock’n’roll it’s understandably been knocked out by big-hitters from The Beatles to The Beach Boys, Humble Pie to Australian cheese captains Mental As Anything. Miles Davis’s ‘A Kind Of Blue’ has stuck around as an all-time great jazz album and one of the more accessible examples in its field, with ‘Blue In Green’ one of a couple of ballads revealing Davis’s more subtle, feet-up playing. They would score their signature No.1 in 1960 with ‘Will You Still Love Me Tomorrow?’, but ‘I Met Him On A Sunday’ was the first single, a laconic, gorgeous doo-wop call and response that got them signed to Tiara before a Decca licensing deal sent them national. An early doo-wop success, The Chords’ stray cat strut through ‘Sh-Boom’ would end up being their only hit, albeit a sturdy one, reaching the Billboard top 10. It was the soundtrack to the movie of the same name, Elvis’s third, and shook its hips to the top of the charts in the US and the UK. https://www.youtube.com/watch?v=8XxGUIbYjmY. Various versions have surfaced in the movies and on TV, sh-booming through Johnny Depp’s Cry-Baby and Patrick Swayze’s Roadhouse as well as appearing in Dennis Potter’s 50s pastiche Lipstick On Your Collar for the BBC. 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